Art Spaces Archives Project AS-AP is a non-profit initiative founded by a consortium of alternative art organizations, including Bomb Magazine, College Art Association, Franklin Furnace Archive, New York State Council on the Arts NYSCA, New York State Artist Workspace Consortium, and the Skowhegan School of Painting and Sculpture, with a mandate to help preserve, present, and protect the archival heritage of living and defunct for- and not-for-profit spaces of the "alternative" or "avant-garde" movement of the 1950s to the present throughout the United States.
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Site accessible sur "web archive" grâce au lien (actif entre 2003 et 2020). Dernière mise à jour 2014 ------------------------------------------------------------------------------------------------------------------------------------------------
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ARTESUR is a non-profit association created by a group of professionals interested in cultural exchange between Europe and Latin America.
The website, launched at the Centre Pompidou in November 2011, is a free and unique online network of Latin America artists and contemporary art. Published both in English and Spanish, it showcases the work of artists, curators, galleries, institutions and events from the Latin-american continent.
The goals of ARTESUR are: to contribute to the spreading of Latin America contemporary art in Europe through its bilingual website (English / Spanish), which has an online catalogue of artists, curators, galleries, festivals and artistic residencies; to create spaces for art production and curatorial practice that may stimulate cultural intersection between both continents; to produce editorial tools and cultural events that may promote reflection on the cultural crossing between European and Latin America’s multiple cultures, focusing on the growth of contemporary art, academic-scientific studies, and the new urban cultural manifestations. ARTESUR expects to stimulate and to bring out an equal dialogue between Europe and Latin America’s artistic communities.
ArteSur is a self-funded project, which has since 2011 been sponsored by the Maison de l’Amérique Latine (Paris). Since its creation, ARTESUR is working along with several institutions in France and in Latin America.
Albertine de Galbert and Elena Lespes Muñoz coordinate ARTESUR.
Selection Process
ARTESUR’s database has been compiled departing from our field experience and our constant contact with local cultural agents, who contribute with advices and suggestions to enrich the website’s content. These exchanges allow us to be always close to Latin-American art scene’s current situation.
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Easttopics is a non-profit initiative launched in 2013, led by young art professionals based in Hungary and Serbia and dedicated to the promotion of the Eastern European contemporary art field. Working as a think tank for the Eastern European art communities, Easttopics is a genuinely interdisciplinary cooperative which goal is to draw the Eastern contemporary art field and the international art scene closer to each other. This cross-border project takes form as an expanding on-line website and database focusing on the following countries: Albania, Belarus, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Greece, Hungary, Kosovo, Latvia, Lithuania, Macedonia, Moldova, Montenegro, Poland, Romania, Serbia, Slovakia, Slovenia and Ukraine.
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Le Répertoire est une base de données en ligne de collectifs et de centres d’artistes autogérés (CCAA) du Canada. Artistes, commissaires, administrateurs et grand public peuvent y rechercher des centres d’artistes autogérés à l’aide de divers filtres : association, lieu, type, discipline, date de dépôt de demandes, etc. Consultable et fréquemment mis à jour, le Répertoire contient des renseignements de base, notamment une carte de localisation, et des liens vers des sites Web et des profils de médias sociaux pour accéder facilement à l’ensemble des activités de chaque centre.
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OffOff réunit les espaces d'expositions Suisses qui interviennent en faveur de la production artistique actuelle. OffOff se considère comme représentant les intérêts communs aux espaces d'art indépendants en Suisse et réclame plus reconnaissance des politiques culturelles. Créant un terrain favorable à une scène artistique contemporaine, les Off-Spaces ouvrent de nouveaux points de vue sur l'art.
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SUPERMARKET est organisé depuis 2007 par un petit groupe dont la plupart sont artistes. SUPERMARKET est conçu comme un mini-marché, en réaction au marché et au foire commerciale de l'art.
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Independent art agenda in Brussels
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Une collection de profils, d'interviews et d'articles critiques qui portent sur l'histoire et les nouveaux développements de la culture et des initiatives d'artistes autogérés.
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von MIR am Nov 4, 2012 • 13:18Keine Kommentare
Das Gespräch führte Emmanuel Mir.
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by Lauren Rosati and Mary Anne Staniszewski. This groundbreaking book--part exhibition catalogue, part cultural history--chronicles alternative art spaces in New York City since the 1960s. Developed from an exhibition of the same name at Exit Art, Alternative Histories documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated.
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L’ouvrage comprend quatorze champs de compétences qui permettent de reconnaître les pratiques observées dans les centres d’artistes. Dans cette édition, qui succède à celle parue en 2001, nous avons regroupé les compétences dans quatre grands ensembles pour faciliter l’utilisation et pour créer une logique par rapport au fonctionnement des organisations.
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ARC/Musée d'Art Moderne de la Ville de Paris, 1999
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